Movies Update: ‘Emily the Criminal,’ ‘Day Shift’ and More

Plus, when you get catfished by your dad.
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By Stephanie Goodman

Film Editor

Hi, movie fans!

Just about all of this summer's high-profile titles have been released. While we await the final box office tally for the season, the jury is out on whether theatrical moviegoing is back, though the signs are largely promising.

Viewers are still flocking to theaters to see "Top Gun: Maverick," which is well past the billion-dollar mark at the global box office. And "Nope" just crossed $100 million domestically, showing that an original idea can lure us off our couches. The roughly $30 million opening-weekend take for another non-franchise production, "Bullet Train," is considered "so-so," as Variety put it, given the price tag of the film. But that kind of opening was pretty common before the pandemic, too. I'm very interested to see what the box office experts will say when the season wraps up.

All the tentpoles may have been released for the summer, but there are several interesting films premiering this week, starting with "Emily the Criminal," which Jeannette Catsoulis named a Critic's Pick because it "plays less like a lecture on the evils of capitalism than a darkly demented workplace drama, a cry of outrage." Other Critic's Picks include "The Princess," a documentary about Princess Diana (yes, we know) but so much more; and "Girl Picture," a judgment-free Finnish comedy about teenage girls.

Whatever you end up watching, enjoy yourself at the movies!

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Roadside Attractions/Vertical Entertainment

Critic's Pick

'Emily the Criminal' Review: Survival Strategy

Aubrey Plaza's wonderfully nuanced performance anchors this absorbing story of a young woman's descent into lawlessness.

By Jeannette Catsoulis

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Parrish Lewis/Netflix

'Day Shift' Review: Stakes Out

Jamie Foxx is a blue-collar vampire hunter and a steadying hand on the tiller of this frenzied action comedy.

By Jeannette Catsoulis

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GKIDS

'Inu-oh' Review: Dazzling Anime Meets Medieval Epic

This modern riff on "The Tale of the Heike," from 14th-century Japan, takes some confusing turns. But the animation is undeniably wonderful.

By Manohla Dargis

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Brett Roedel/Magnolia Pictures

When Your Girlfriend Is Your Father

James Morosini, the writer-director and star of the catfishing comedy "I Love My Dad," talks with his real father and Patton Oswalt, his onscreen father.

By Bob Morris

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MOVIE REVIEWS

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Alan Markfield/Netflix

'13: The Musical' Review: Mild Anxieties in Middle America

The Broadway show of the same name gets a Netflix screen adaptation directed by Tamra Davis.

By Amy Nicholson

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John O'Hara/San Francisco Chronicle via Getty Images/Mubi

'Free Chol Soo Lee' Review: An Indictment of the Justice System

Activists helped free a Korean immigrant, and this documentary explores the wrongful conviction and its ripple effect.

By Ben Kenigsberg

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Well Go USA

'Emergency Declaration' Review: Midair Contagion

The "Parasite" star Song Kang-ho plays a detective working to thwart a plan to unleash a deadly virus on unsuspecting plane passengers.

By Robert Daniels

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Paramount Pictures

'Laal Singh Chaddha' Review: Forrest Gump in India

This Indian adaptation of "Forrest Gump" doubles down on its Pollyanna hero, substituting different historical touchstones.

By Nicolas Rapold

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Gravitas Premiere

'Mack & Rita' Review: 70 Is the New 30

An influencer emerges from a tanning bed 40 years older in this playful movie starring Diane Keaton.

By Lisa Kennedy

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First Run Features

'Free Puppies!' Review: A Fight to Save a Dog's Life

This documentary focuses on volunteer animal rescue groups in the rural United States.

By Claire Shaffer

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Hopper Stone/Paramount Pictures

'Secret Headquarters' Review: You Know, for Kids

A group of plucky tweens get in on some superhero action in this kid-friendly action comedy.

By Calum Marsh

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Bleecker Street

'Summering' Review: The Besties Confront Bittersweet Truths

This meditative coming-of-age movie by James Ponsoldt tracks the emotional upheavals of four 11-year-old girls who stumble upon a corpse.

By Beatrice Loayza

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