Movies Update: ‘Beast’ and More

Plus, the reinvention of Aubrey Plaza.
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By Mekado Murphy

Movies Editor

Hey, movie fans!

It's a mixed bag this week. As we get closer to the end of summer, we get further from summer blockbusters. But if you're looking for something new with C.G.I. pyrotechnics, there's "Beast," the menacing lion movie starring Idris Elba. Although the critic Manohla Dargis is strongly warning viewers away, calling it "thin, unimaginative hack work."

Perhaps instead go for the Critic's Pick documentary "The Territory," about an Indigenous group in the Amazon rainforest fighting to protect its land from cattle ranchers. The critic Claire Shaffer writes that it is "is more than meets the eye," and praises its "luscious cinematography."

Fans of the horror movie "Orphan" may be curious about the prequel "Orphan: First Kill." Ben Kenigsberg laments that it "lacks the original's scares and suavity."

If you like chills, you may do well to instead stay home and check out this handful of horror recommendations from our expert in that genre, Erik Piepenburg.

Enjoy the movies!

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Lauren Mulligan/Universal Pictures

'Beast' Review: An Angry Lion, but More Bore Than Roar

In this action dud, Idris Elba plays a grieving father who takes his kids on a family trip to South Africa, where they meet one very big C.G.I. animal.

By Manohla Dargis

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Alex Pritz/Amazon Land Documentary/National Geographic Documentary Films

Critic's Pick

'The Territory' Review: Saving the Amazon, One Camera at a Time

This documentary is a thrilling look at an Indigenous group's fight to keep illegal settlers from destroying their land in the Amazon rainforest.

By Claire Shaffer

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Roadside Attractions/Vertical Entertainment

The Reinvention of Aubrey Plaza

The actress, well known for her deadpan comic role on "Parks and Recreation," brings nuance to her dramatic role in the thriller "Emily the Criminal."

By Andrew Crump

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MOVIE REVIEWS

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IFC Films

'Spin Me Round' Review: Eat Pray Lust

Alison Brie plays the manager of a restaurant chain whose trip to Italy for a training program does not go as expected.

By Amy Nicholson

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Steve Ackerman/Paramount Pictures

'Orphan: First Kill' Review: Still Slashing After All These Years

Isabelle Fuhrman, who in "Orphan" had to be convincing as a child of age 9, reprises her role 13 years later in this prequel set two years earlier.

By Ben Kenigsberg

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Vertical Entertainment

'Delia's Gone' Review: A False Conviction in a Hardscrabble Town

A man aims to find his sister's real killer.

By Glenn Kenny

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Samuel Goldwyn

'The Legend of Molly Johnson' Review: Reclaiming the Australian Frontier

A stoic frontier woman harbors an Aboriginal fugitive in this earnest and didactic western.

By Teo Bugbee

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Billy Moon/Screen Media

'The Immaculate Room' Review: A Blank Slate

In this drama, a couple tries to live in a stark room with no distractions for 50 days.

By Lena Wilson

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Array

'Learn to Swim' Review: A Tooth Ache and All This Jazz

The feature directing debut of Thyrone Tommy is a fractured romance between a young saxophonist and a chanteuse.

By Lisa Kennedy

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Film Forum

'Le Temps Perdu' Review: Proust Club

This cozy documentary sits in with a group of older readers in Buenos Aires who gather at a cafe to savor Proust's "In Search of Lost Time."

By Nicolas Rapold

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Crunchyroll

Review: 'Dragon Ball Super: Super Hero' Is Deluxe Fan Service

In the latest "Dragon Ball" outing, directed by Tetsuro Kodama and written by the series creator, Akira Toriyama, the menacing villain is a pair of state-of-the-art androids.

By Calum Marsh

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