Movies Update: Cannes Controversies and More

Plus, our summer movie preview.
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By Stephanie Goodman

Film Editor

Hi, film fans!

The Cannes Film Festival is wrapping up this week, and it has been a ride.

The edition opened with a lot of commotion thanks to the programming of Maรฏwenn's "Jeanne du Barry," starring the director and Johnny Depp in his first major film role in several years. Then there was the uproar this week over "The Idol," a forthcoming TV series featuring another Depp (Lily-Rose) along with the Weeknd. (Yes, a TV series can apparently be in competition at the festival. Who knew?) The furor over the envelope-pushing sex scenes and the co-creator Sam Levinson's controversy-courting approach might best be captured with my colleague Kyle Buchanan's observation that "the show seems reverse-engineered to generate think-pieces and indignant tweet-storms." If you're wondering if it's all much ado about nothing, he offers a recap of the episodes that played on the Croisette, and adds, "You be the judge."

Despite the tumult, our critic Manohla Dargis argues that this is the strongest Cannes selection in years. She singled out Todd Haynes's "May December," about a high school teacher (Julianne Moore) who's had a sexual relationship with a student, and who must deal with an actress (Natalie Portman) playing her onscreen. It would make a good double bill, Dargis says, with "Last Summer," Catherine Breillat's tale of a seemingly happily married lawyer unmoored by the arrival of her 17-year-old stepson. In our critic's view, "This movie, which with shifting camera angles, differing points of view and gradually escalating emotional violence, creates an extraordinarily complex inquiry into desire and power."

Meanwhile, stateside, the focus couldn't be more different. We just wrapped our annual preview of the summer blockbuster season. The highlights include profiles of two performers stepping into the spotlight at very different points in their careers: Halle Bailey, the 23-year-old probably best known until now as one half of the R&B due Chloe x Halle, is connecting with her inner Ariel in the live-action remake of "The Little Mermaid." And Cillian Murphy, who's long been a supporting player in Christopher Nolan's ambitious drama, is at 47 shouldering the title role in the director's biopic "Oppenheimer." (If those movies don't excite you, we have more than 100 others that might pique your interest in our roundup of the most-anticipated releases this season.)

Whatever you decide to watch, enjoy the movies!

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MOVIE REVIEWS

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Netflix

'Victim/Suspect' Review: When the Accuser Becomes the Accused

A reporter investigates cases in which sexual assault survivors were arrested on charges of false reporting in this cogent documentary.

By Natalia Winkelman

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IFC Films

'The Attachment Diaries' Review: Love, Sick

A gynecologist and her patient form a horrifyingly twisted connection in this batty, bloody Argentine melodrama.

By Jeannette Catsoulis

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Dan Anderson/Lionsgate

'About My Father' Review: De Niro in Dad Mode Again

The comedian Sebastian Maniscalco enlists his "Irishman" colleague in this labored comedy, where gags fall flat.

By Glenn Kenny

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Max

'Being Mary Tyler Moore' Review: A Tip of the Hat to the Tossed Hat

This charming documentary aims to peek under the smile of a groundbreaking television star.

By Amy Nicholson

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Hopper Stone/Open Road Films/Briarcliff Entertainment

'Kandahar' Review: Marooned in a Dull Movie

Gerard Butler plays an undercover C.I.A. agent hunted by various foes in an underwhelming action film devoid of any suspense or, well, action.

By Elisabeth Vincentelli

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Quiver Distribution

'The Wrath of Becky' Review: Teenage Riot

The traumatized teen is back to finalize even more fascists in this comically bloody sequel.

By Jeannette Catsoulis

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Icarus Films

'White Balls on Walls' Review: Time With the Gatekeepers

The Stedelijk Museum in Amsterdam becomes a somewhat flimsy case study for fine-art diversity and inclusion conversations in this documentary.

By Lisa Kennedy

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MUBI

'Unclenching the Fists' Review: The Cost of Freedom

Kira Kovalenko's moody drama centers on a young woman trapped under her father's thumb in the North Caucasus region of Russia.

By Beatrice Loayza

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NEWS & FEATURES

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Cannes Film Festival

How Scorsese, DiCaprio and De Niro Made 'Killers of the Flower Moon'

In this true-life crime tale, they focused not on the investigators but on the evildoers, and made the Osage woman played by Lily Gladstone central.

By Kyle Buchanan

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Pascal Le Segretain/Getty Images

Michelle Yeoh Has Some Advice for the Cannes Jury

The best actress winner helped award the Palme d'Or in 2002 to "The Pianist," but she found the process intense: "Whew! It was a little too emotional."

By Kyle Buchanan

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Michael Ochs Archives/Getty Images

Kenneth Anger, 96, Dies; Experimental Filmmaker Left a Pop Culture Legacy

His movie, "Scorpio Rising," proved that sound and image could be combined to create something powerful, influencing the rise of music video.

By Dennis Lim

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Magdalena Wosinska for The New York Times

TRANSFORMING SPACES

How Sexist Is Hollywood? Check Out Geena Davis's Spreadsheet

When it comes to quantifying bias in popular entertainment, the Academy Award winner's in a league of her own.

By Chris Colin

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Vianney Le Caer/Invision, via Associated Press

Is 'The Idol' as Sleazy as HBO Says?

At Cannes, the sex-filled show is drawing plenty of controversy. That just means "we're about to have the biggest show of the summer," Sam Levinson says.

By Kyle Buchanan

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David Lee

Bill Lee, Bassist and Composer of Son Spike Lee's Films, Dies at 94

He accompanied a wide range of jazz and folk musicians and scored "She's Gotta Have It," "School Daze" "Do the Right Thing" and "Mo' Better Blues."

By Robert D. McFadden

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