Movies Update: Oscar Predictions and More

Plus, Sandra Bullock and Michelle Yeoh take us on adventures.
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By Mekado Murphy

Movies Editor

Hey, movie fans!

It's the final countdown to the Oscars! Have you filled out your ballot yet? Our awards expert Kyle Buchanan has made his predictions on who may go home with the gold this Sunday.

In more Academy Awards news, we took a look back to Oscars 2002, when Halle Berry made history as the first (and still only) Black winner in the best actress category. We spoke with Danny Glover, who is receiving an honorary Oscar for his humanitarianism. And we looked at the four best picture nominees this year that are remakes, and examine whether that has mattered to Oscar voters before.

Join us Sunday night as we cover the ceremony live, including updates and commentary on all the winners, and views from the red carpet.

In theaters this week are two very different adventure films. One, "The Lost City," is a sweeping action romance with Sandra Bullock and Channing Tatum that the critic Manohla Dargis writes "delivers exactly what it promises: A couple of highly polished avatars quipping and hitting their marks."

The other is the genre-hopping "Everything Everywhere All at Once," starring Michelle Yeoh. In his Critic's Pick review, A.O. Scott wrote that "while the hectic action sequences and flights of science-fiction mumbo-jumbo are a big part of the fun (and the marketing), they aren't really the point. This whirligig runs on tenderness and charm."

Enjoy the movies!

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MOVIE REVIEWS

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Bleecker Street

'Infinite Storm' Review: Climb Every Mountain, Ford Every Extreme

Naomi Watts stars in a true-life drama about a woman who hiked up a mountain alone and returned with some heavy, unexpected cargo.

By Manohla Dargis

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Jamie D. Ramsay/Sony Pictures Classics

'Mothering Sunday' Review: Sex, Death and Literature

A fine British cast is featured in this mildly transgressive love story set in the aftermath of World War I.

By A.O. Scott

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Disney

'Olivia Rodrigo: Driving Home 2 U' Review: Songs on Overdrive

The singer-songwriter is in a reflective state in the director Stacey Lee's film, which documents a trip from Salt Lake City to Los Angeles.

By Chris Azzopardi

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Cinedigm

'7 Days' Review: Mothers' Matchmaking Goes Awry

Two Indian American youngsters are set up on a date that takes an unexpected turn in this pandemic-themed comedy.

By Devika Girish

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Shellac

'Outside Noise' Review: Walking and Talking in Vienna and Berlin

Three women laze around German-speaking cities in the languid third feature from the indie director Ted Fendt.

By Natalia Winkelman

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Universal

'Bisping: The Michael Bisping Story' Review: An M.M.A. Fighter Speaks Out

A documentary takes a look at Bisping's tough and tender sides.

By Glenn Kenny

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Luxbox/MoMA

'Atlantide' Review: Restless and Reckless on the Venetian Lagoon

A speed boater and his girlfriend maneuver around the coasts of Venice and its islands in this moody portrait of contemporary youth culture.

By Natalia Winkelman

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NEWS & FEATURES

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Jutharat Pinyodoonyachet for The New York Times

Danny Glover on Acting, Activism and His Honorary Oscar

The actor and producer is receiving the Jean Hersholt Humanitarian Award at the Oscars. Here, he discusses a history in movies and in social justice.

By Nicolas Rapold

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Timothy A. Clary/Agence France-Presse — Getty Images

Oscars Rewind: For Halle Berry, a Bittersweet Breakthrough

Since she won best actress for "Monster's Ball," no other Black woman has taken the prize, a fact she calls "heartbreaking."

By Sarah Bahr

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Rialto Pictures

Critic's Notebook

'Basic Instinct' at 30: A Time Capsule That Can Still Offend

The erotic thriller starring Michael Douglas and Sharon Stone was a big hit that set off protests in its day, and it's easy to see why even now.

By Jason Bailey

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Lionsgate Premiere/Photofest, via Museum of Modern Art, New York

Peter Bogdanovich Had a Vision for This Film. Now It's Finally Being Seen.

"She's Funny That Way" wasn't exactly the movie he set out to make, but the director's cut was feared lost. How it came to be shown at MoMA is a complicated saga.

By Ben Kenigsberg

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