In search of the next Hallmark Christmas hunk

Los Angeles Times Newsletter
Inside: Rooney Mara turns up the heat in "La Cocina," a review of the "Forrest Gump" reunion "Here"
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Los Angeles Times
Entertainment
'Finding Mr. Christmas' challenges men to 'lead with kindness' for a role as a Hallmark hunk Click to view images

The contestants of "Finding Mr. Christmas" talk about how showing their emotions was a big part of the Hallmark reality competition series seeking a new leading man.

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'La Cocina' raises the heat on kitchen power dynamics. It's where Rooney Mara wants to be Click to view images

Directed by Alonso Ruizpalacios and co-starring RaΓΊl Briones, the indie — based on a 1957 Arnold Wesker play — takes place in a busy Times Square restaurant.

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Motion picture academy lays off staff at archive and library amid broader restructuring Click to view images

The Academy of Motion Picture Arts and Sciences is restructuring its archive and library, cutting 16 staff members as part of a strategic effort to consolidate preservation efforts.

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Comcast considers spinning off cable channels like MSNBC. But analysts have doubts Click to view images

Comcast is considering spinning off its cable network business, which includes USA Network, Syfy and Bravo, as the media giant grabbles with the changes in the linear television industry.

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Anna Kendrick donates the 'gross' money she made from 'Woman of the Hour' to charity Click to view images

Anna Kendrick makes good on her promise to donate the money she made from her film "Woman of the Hour" to nonprofits that support survivors of sexual abuse and violence.

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Review: Provocatively, 'Blitz' evokes England's finest hour to take on fascism at home Click to view images

Directed by Steve McQueen and featuring Saoirse Ronan, the vividly mounted WWII film tries an unusual tack into an era that is often celebrated without question.

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Review: 'Here' takes the elements of a 'Gump' reunion and flattens them into faux-cosmic tedium Click to view images

Tom Hanks and Robin Wright rejoin filmmaker Robert Zemeckis for a stunty, pointless drama about the passing of time captured from one fixed vantage point.

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