| November 29, 2024
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Hey movie fans! Still in a haze of tryptophan? One great way to recover is by feasting on cinema. I'll be finishing up my yearly viewing of the perfect Thanksgiving movie, "Planes, Trains, and Automobiles" and my new cranberry sauce classic, the slasher from last year, "Thanksgiving." Next on my wish list-watch list for the upcoming holidays is "Queer," directed by Luca Guadagnino and starring Daniel Craig as William Lee, a lonely soul yearning for the affections of a younger man. It may seem like an atypical role for the cool and collected Bond star, but in an interview with Kyle Buchanan, Craig said the character is closer to his own sensibilities than some might think. "I know lots of tough men in this world who are vulnerable," he said, "and I like to portray that in movies. That truth is interesting to me." In her review, the critic Manohla Dargis wrote, "Guadagnino does some very nice things in "Queer," including employing obvious soundstages and beautiful miniatures that play with the realism and that underline Lee's otherworldly sensibilities." Another true gift of a film was delivered this week, "The Seed of the Sacred Fig." The director, Mohammad Rasoulof, made the movie in secret because of Iran's strict censorship laws. Having been sentenced to eight years in prison, Rasoulof fled Iran under treacherous conditions, finished the film in Germany and premiered it at the Cannes Film Festival to accolades in May. The movie follows a family in Tehran as tensions rise over their differing opinions of the Iranian government, putting the circumstances of the movie's production and its plot in direct conversation. "'The Seed of the Sacred Fig' asks us to enter a family's story, but also to acknowledge that we are part of it," the critic Alissa Wilkinson wrote in her review. "We're extras in the background, no matter how far away we are." With so much to see in theaters, you may be pondering the perennial question: Should I sit through the credits? Wilkinson has answers for you, exploring the merits of being both a "stayer" and a "leaver." Whatever you watch, and whether or not you stay until the last name rolls by — enjoy the movies! | | Yannis Drakoulidis/A24 |
Critic's Pick 'Queer' Review: The Seductive, Damaged Charm of Daniel CraigThe star kills off his Bond to inhabit a dissolute American expat in Luca Guadagnino's handsome adaptation of the William S. Burroughs novella. By Manohla Dargis | | Disney |
'Moana 2' Review: It Doesn't Rock the BoatIn this benign sequel, the Disney princess continues her seafaring ways and remains admirably uninterested in finding a prince. By Natalia Winkelman | | Neon |
Critic's Pick 'The Seed of the Sacred Fig' Review: When the World Is a PrisonMohammad Rasoulof's powerful drama about the authoritarian Iranian government breaks a fourth wall, with consequences. By Alissa Wilkinson | | Erik Carter for The New York Times |
The Projectionist With 'The Piano Lesson,' Danielle Deadwyler Goes Even DeeperAfter breaking through with "Till," the actress delivers another formidable performance. Still, when it comes to Hollywood, she'd rather keep some distance. By Kyle Buchanan and Erik Carter |
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