Florence Pugh and Andrew Garfield's new movie is an elevated weepie

Los Angeles Times Newsletter
'We Live in Time,' the new movie starring Pugh and Garfield, is charming and curated.
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Los Angeles Times
Entertainment
Review: 'We Live in Time': Dying from cancer, the charming and curated version Click to view images

Florence Pugh and Andrew Garfield elevate this weepie directed by John Crowley, but the movie's jumbled timeline distances you from their anguish.

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Billie Eilish and Finneas know what they were made for Click to view images

For the sibling pop savants, work and family have long been intertwined. They've proved it with their most autobiographical album, 'Hit Me Hard and Soft,' a strong contender for the 67th Grammy Awards.

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Review: 'Disclaimer' stars Cate Blanchett in a revenge story filled with hidden truths Click to view images

Alfonso Cuarón's Apple TV+ miniseries, premiering Friday, is a fairly straightforward revenge story, though whether or not the revenge is deserved is a central question of its contortionist plot.

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Hollywood veterans get brutally honest about mentoring next generation amid industry turmoil Click to view images

Hollywood veterans said they feel an obligation to 'speak truth to facts' with people trying to break into the entertainment industry right now.

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YouTube star Piper Rockelle's mom reaches $1.85-million settlement with young influencers Click to view images

Tiffany Smith, mother of YouTube influencer Piper Rockelle, settles a lawsuit filed by young actors of 'the Squad' who alleged an abusive work environment.

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Commentary: All hail '9-1-1's' 'Bee-nado' event and the power of network procedurals Click to view images

With its 'Bee-nado' event, '9-1-1' has channeled the killer bee hysteria of the 1990s and campy made-for-TV disaster movies to remind us why we love broadcast network TV.

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Playwrights, back in the spotlight on Broadway, kick-start New York's fall theater season Click to view images

A strong New York season of playwriting features David Henry Hwang's 'Yellow Face,' Max Wolf Friedlich's sleeper hit 'Job' and, off-Broadway at the Public Theater, James IJames' 'Good Bones'

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