Hi, film fans! So much is happening right now in movieland. Where to begin? How about with the Venice Film Festival, where my colleague Kyle Buchanan saw what a major festival looks like when the striking actors' union, SAG-AFTRA, prohibits stars from taking part. Photos of directors exiting vaporettos replaced the usual shots of glamorous performers exiting vaporettos, but the labor action loomed large in other ways. On Day 1, Buchanan wrote, "the jury president, the filmmaker Damien Chazelle ('La La Land'), dressed for maximum solidarity, donning a 'Writers Guild on Strike!' shirt and a similar button on the lapel of his sport coat." The next day Adam Driver, who was able to promote Michael Mann's "Ferrari" thanks to a waiver from the union, called out streamers that won't negotiate, asking why the smaller companies that backed his film "can meet the dream demands of what SAG is asking for — the dream version of SAG's wish list — but a big company like Netflix and Amazon can't?" That wasn't the only contentious moment on the Lido. Woody Allen's latest, "Coup de Chance," got a decidedly mixed reception at its premiere: a standing ovation in the theater, a protest outside. By and large, the films themselves sound fascinating. Buchanan was able to answer your questions about Bradley Cooper's "Maestro" (and his fake nose), give us a first look at "Poor Things," starring Emma Stone in Yorgos Lanthimos's take on the Frankenstein tale, and speak with Ava DuVernay about how she has made a big-screen feature, "Origin," out of the nonfiction best seller "Caste," about how societies around the world developed caste systems. More than 5,000 miles away, the Telluride Film Festival unspooled with several premieres of its own. On hand for The Times, the critic Lisa Kennedy wrote that the striking artists' "presence onscreen made such a strong argument for the gifts they have brought to what is fast becoming a vintage year in film." She called out notable performances by Andrew Scott in "All of Us Strangers" from Andrew Haigh; Paul Giamatti's "dyspeptic mood of a prep school instructor" in "The Holdovers"; and Colman Domingo's turn as the civil rights champion Bayard Rustin in "Rustin." She also cited "Emma Stone's meticulously wild embrace of her character" in "Poor Things." That feels like one of the films to see this fall. Strike or no, it's a great time to be a movie fan. Continue reading the main storyContinue reading the main story | | STREAMING RECOMMENDATIONS | | | | | Continue reading the main storyHow are we doing? We'd love your feedback on this newsletter. Please email thoughts and suggestions to moviesupdate@nytimes.com. Like this email? Forward it to your friends, and let them know they can sign up here. Continue reading the main story |