How 'Reservation Dogs' got its DIY sound

"Reservation Dogs" co-creator and showrunner Sterlin Harjo enlisted Tiffany Anders as music supervisor after seeing her post about the Native American documentary "Rumble" on Instagram.
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Los Angeles Times
Entertainment
From Native American surf rock to the Rolling Stones: How 'Reservation Dogs' got its DIY sound Click to view images

Tiffany Anders, the music supervisor for the FX on Hulu series, discusses working with creator Sterlin Harjo on finding music with "heart and soul."

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How L.A. Ballet's artistic director will make L.A. a force in the dance world Click to view images

Melissa Barak recently took the reins as the Los Angeles Ballet's artistic director. Her first programmed season marks a new chapter for the ballet company.

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'The Continental' review: A serviceable prequel to the 'John Wick' franchise Click to view images

The series, which is being promoted as a three-night event that begins Friday on Peacock, is a prequel to the movies starring Keanu Reeves and centers on Winston Scott, the character played by Ian McShane in the films.

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Investigations into secret payments. A new sports colossus. Inside Vince McMahon's last stand Click to view images

Subscriber exclusive: Throughout his controversial career, McMahon has faced odds and weathered various scandals while building the world's largest professional wrestling operation.

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What are residuals and how do they work? A Hollywood strike battleground, explained Click to view images

Residuals have emerged as a key sticking point in the current pair of Hollywood strikes. But what are they, and how do they work?

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A once-in-a-lifetime reunion: Talking Heads on 'Stop Making Sense,' the Big Suit and their future Click to view images

After more than 20 rancorous years apart, a rerelease of the Talking Heads classic 1983 concert film "Stop Making Sense" has brought détente, and maybe more.

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Review: In his rapturous MoMA retrospective, L.A. artist Ed Ruscha gives New York School art a witty blow Click to view images

A multidisciplinary survey of 200 works reveals how Ruscha's alienation from organized religion proved to be useful for his deconstruction of art myths and shibboleths.

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