Why making 'Glass Onion' scared Rian Johnson

In doing sequels to your work, Rian Johnson notes that "it becomes something outside of you and you kind of forget how you made it. And so, it was scary."  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌  Entertainment September 15, 2022 Why making 'Glass Onion' scared Rian Johnson even more than 'The Last Jedi' Fresh from the world premiere of his "Knives Out" sequel, Johnson explains the origins of Benoit Blanc and why he wants his Netflix film in theaters. SHARE       READ MORE ADVERTISEMENT Why George Clooney pushed for a new L.A. public school to train movie and TV crews George Clooney's Roybal School of Film and Television Production seeks to prepare students for jobs in areas including lighting, editing and costuming. SHARE       READ MORE Commentary: Torn between two careers: Matt Shakman and the dilemma of the starry-eyed Geffen Playhouse What does Matt Shakman's decision to step down as as artistic director of the Geffen Playhouse say about the theater's future? SHARE       READ MORE ADVERTISEMENT Trauma, therapy and lambing: How Marcus Mumford turned torment into healing On his new solo album, Mumford steps away from some band drama and addresses some deeply buried inner drama, with help from his famous wife and famous friends. SHARE       READ MORE How 'MVP' spotlights the connections between military vets and retired athletes Nate Boyer and Jay Glazer discuss their organization, their movie "MVP" and their mission of helping vets and former athletes. SHARE       READ MORE Silvia Forni to step in as new director of UCLA's Fowler Museum Silvia Forni, who joins from the Royal Ontario Museum, will replace Marla Berns, who retired last year after steering the Fowler for two decades. SHARE       READ MORE How Sara Silkin's choreography for 'Jibaro' turned animation into a study of movement The choreographer's Emmy-nominated "Jibaro" episode of "Love, Death & Robots" distinctly explores fluidity and destruction. SHARE       READ MORE ADVERTISEMENT Thank you for reading the Los Angeles Times Entertainment newsletter. Invite your friends, relatives, coworkers to sign up here. Not a subscriber? Get unlimited digital access to latimes.com. Subscribe here. Copyright © 2022, Los Angeles Times 2300 E. Imperial Highway, El Segundo, California, 90245 1-800-LA-TIMES | latimes.com *Advertisers have no control over editorial decisions or content. If you're interested in placing an ad or classified, get in touch here. We'd love your feedback on this newsletter. Please send your thoughts and suggestions here. You received this email because you signed up for newsletters from The Los Angeles Times. Manage marketing email preferences · Unsubscribe from this newsletter · Terms of service · Privacy policy · Do Not Sell My Personal Information · CA Notice of Collection FOLLOW US