Movies Update: Why Beyoncé should be considered an auteur

Plus, the oddball movie "Poor Things" hits the big screen.
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Movies Update

December 8, 2023

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By Stephanie Goodman

Film Editor

Hi, movie fans!

This is both my favorite month on the release calendar and the hardest: So many terrific films! So many stories to edit about good films — gah! But it's a good problem to have.

The bounty has included "Origin," Ava DuVernay's fictionalized take on the Isabel Wilkerson best seller "Caste." It's a tough-minded drama about history and systematic suffering that our chief critic Manohla Dargis said is "as audacious as it is ambitious."

There's also "Renaissance: A Film by Beyoncé," a Critic's Pick for Wesley Morris and the focus of Salamishah Tillet's argument that the star, who directed the documentary, should be considered an auteur.

And don't overlook "Anselm," a Wim Wenders documentary about the artist Anselm Kiefer that uses 3-D so effectively, writes our critic Alissa Wilkinson, that "you feel the heat of the torch, the texture of the paint, the straw, the stone.

I saved "Poor Things" for last. That offbeat Yorgos Lanthimos film starring Emma Stone as a kind of Frankenstein's monster exploring independence, has been making waves since it premiered at the Venice Film Festival in the summer. It's gone on to win over many critics and there's a lot of Oscar talk, but in her review, Dargis wasn't convinced, writing of Stone's character, "Her pleasure in her own liberation sustains your interest even as all the fussing and strained eccentricity wears on you."

Whatever you end up watching, enjoy the movies!

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CRITICS' PICKS

In a film scene, a woman walks amid a crowd, pulling her purse strap up over her shoulder.

Neon

Critic's Pick

'Origin' Review: The Roots of Our Racism

Ava DuVernay's new feature film, adapted from the Isabel Wilkerson book "Caste," turns the journalist into a character who examines oppression.

By Manohla Dargis

A woman sits onstage smiling at a concert, a large image of her projected on the screen behind her.

The New York Times

Critic's Pick

'Renaissance: A Film by Beyoncé' Review: Peak Performance

The concert film offers a comprehensive look at a world-conquering tour and rare insight into the process of one of the world's biggest stars.

By Wesley Morris

A woman in a hooded coat stands outside looking off to the side, a fire burning behind her.

815 Pictures and Lotte Entertainment

Critic's Pick

'Concrete Utopia' Review: Housing Insecurity

Love thy neighbor is far from mind when disaster strikes a Seoul apartment complex in this blackhearted social satire.

By Jeannette Catsoulis

ANATOMY OF A SCENE

A woman with long black hair in a puffy blue dress stands in front of blue sky.

Atsushi Nishijima/Searchlight Pictures

Anatomy of a Scene

Watch Emma Stone Do a Carefree Dance in 'Poor Things'

The director Yorgos Lanthimos narrates this sequence that puts the star and Mark Ruffalo awkwardly on the dance floor.

By Mekado Murphy

MOVIE REVIEWS

Four people stand in a house looking forward with concerned looks on their faces.

JoJo Whilden/Netflix

'Leave the World Behind' Review: It's the End of the World, I Guess

This film about the apocalypse, directed by Sam Esmail and adapted from Rumaan Alam's novel, leaves little room for imagination.

By Alissa Wilkinson

A woman in a waitress uniform holds a pie.

Bleecker Street

'Waitress: The Musical' Review: A Big-Screen Helping of a Broadway Hit

Sara Bareilles is the heart and soul of this live capture of her musical.

By Elisabeth Vincentelli

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Shout! Studios

'Werner Herzog: Radical Dreamer' Review: A Guide to the Filmmaker's Work

This documentary examines Herzog's oeuvre and celebrity influence.

By Glenn Kenny

A teenage boy, a girl and a plate cake frosted in green and pink.

Supriya Kantak/ Netflix

'The Archies' Review: A Masala Milkshake at Pop's, Anyone?

Archie and pals get radicalized when their hometown, now conveniently relocated in India, is threatened by corporate overlords.

By Amy Nicholson

A woman in a striped shirt sits for an interview.

Film Forum

'Total Trust' Review: Under Surveillance

Jialing Zhang's documentary follows a journalist and two families fighting for rights while dealing with invasive surveillance tactics from Chinese authorities.

By Natalia Winkelman

Two fathers are walking with their son in between them. They are on a paved path with grass on both sides and lampposts lining the way.

Amy Mayes/Vertical

'Our Son' Review: The Right to Break Up

A simple yet engaging melodrama, starring Billy Porter and Luke Evans, explores what it means for two fathers to divorce.

By Beatrice Loayza

A close-up image of a man in a car gazing into the distance.

Film Movement

'Into the Weeds' Review: Man Versus Monsanto

This documentary by Jennifer Baichwal recounts a legal battle in which a groundskeeper in California took on a multibillion-dollar company.

By Ben Kenigsberg

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NEWS & FEATURES

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Studio Ghibli/Gkids

Critic's Notebook

How Hayao Miyazaki's Films Continue to Take Us to the Skies

When characters take flight in the films of the master animator, there is always a deeper meaning.

By Maya Phillips

In a close-up, a man wraps his arms around another man and holds his head close to the other man's. Both are looking directly at the camera.

Ryan Pfluger for The New York Times

The Projectionist

With Andrew Scott and Paul Mescal, It's All About Chemistry

After "Fleabag" and "Normal People" made them romantic idols, the two actors forge their own tender bond in "All of Us Strangers."

By Kyle Buchanan

Three furry figures stand on an outcropping with tree-covered hills in the distance.

Sundance Film Festival

Sundance Lineup Features a Steven Soderbergh Film and a Sasquatch Family

Also headed to Park City, Utah, in January are a Richard Linklater documentary series and a movie about a buoy and a satellite in love.

By Nicole Sperling

A black-and-white image of two men and a woman standing in a living room. The older man, Archie Bunker (Carroll O'Connor), has an angry expression, while the younger man, Mike Stivic (Rob Reiner), stands over his shoulder looking at him. The young woman, Gloria Bunker Stivic (Sally Struthers), stands a few feet away looking at them both.

CBS, via Getty Images

Rob Reiner Remembers Norman Lear: We've Lost 'a Real Champion of America'

With "All in the Family," Lear "tapped into something that nobody had ever done before or even since," the star of the hit sitcom said.

By Maya Salam

In a scene set in a dark dining room, a woman wrapped in a Native American blanket looks at a man in a brown suit and loosened tie.

Melinda Sue Gordon/Apple TV+, via Associated Press

What to Read After Watching 'Killers of the Flower Moon'

Now that the Scorsese epic is on demand, you can catch up with the drama from home, then go down a rabbit hole with our guides.

By Stephanie Goodman

STREAMING RECOMMENDATIONS

In a black-and-white image, a large group of people gather smiling in front of a Christmas tree, with a man in the center embracing a woman and a little girl.

RKO Radio Pictures

'It's a Wonderful Life,' 'Die Hard' and Other Classic Christmas Movies

Our list of classics is broad, from warm Old Hollywood favorites to the sort of boozy, vulgar entertainments that parents can watch after putting the kids to bed.

By Scott Tobias

An animated still that shows two cartoon children dressed warmly in winter wear standing outdoors. They are looking at something out of frame with either shock or fear, with their mouths hanging open.

20th Century Studios

5 Children's Movies to Stream Now

This month's picks embrace the holiday season, including an installment of the "Diary of a Wimpy Kid" franchise and a remake of "The Velveteen Rabbit."

By Dina Gachman

A woman wearing a large winter coat and scarf is outdoors at night, lit by a flashlight and with a look of concern.

Gravitas Ventures

Five Horror Movies to Stream Now

Eerie found footage, limited sunlight and unlimited zombies in this month's horror picks.

By Erik Piepenburg

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