Movies Update: ‘Emancipation,’ ‘Lady Chatterley’s Lover’ and More

Plus, the greatest film of all time is?
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By Mekado Murphy

Movies Editor

Hey, movie fans!

The big chatter in the movie world this week is about the new poll released by the British magazine Sight and Sound on the greatest films of all time. The once-a-decade survey has a new No. 1. Move over "Vertigo," an international group of critics has given the top spot to the 1975 film "Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles," written and directed by the Belgian filmmaker Chantal Akerman. It is the first time a movie directed by a woman has topped this list, one that is widely regarded as canon to cineastes.

Have you seen it? Have you heard of it? Stephanie Goodman wrote a great explainer to get you up to speed and tell you why the movie matters. It's streaming both on HBO Max and the Criterion Channel.

Will Smith returns to theaters, in his first film after slapping Chris Rock at the Oscars ceremony (and also winning an Oscar), with the Apple TV+ drama "Emancipation." The critic Manohla Dargis wrote that Antoine Fuqua's Civil War-era film about an enslaved man "sets out to show the barbaric price that slavery exacts on human beings, both individually and collectively." But, she wrote, "it is also very much a propulsive, Hollywood-style action-fueled adventure."

Over on Netflix is a new adaptation of the D.H. Lawrence novel "Lady Chatterley's Lover." While the book was controversial in its day for all of the sex in it, the critic A.O. Scott wrote in his review that with this film, the drama now lies "in the systems of power that trap Oliver and Constance and in the lovers' rebellion against them." He concluded that the movie "is faithful to the novel, while also revealing how safe, how domesticated, it has become."

Enjoy the movies!

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MOVIE REVIEWS

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Focus Features

'Spoiler Alert' Review: Perfect Strangers Form Family Ties

Jim Parsons and Ben Aldridge star in this tear-jerker romance adapted from the memoir by the television journalist Michael Ausiello.

By Amy Nicholson

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Showtime

'2nd Chance' Review: Just Shoot Me

Ramin Bahrani's first documentary feature profiles Richard Davis, the irrepressible inventor of a modern bulletproof vest.

By Nicolas Rapold

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Allen Fraser/Universal Studios

'Violent Night' Review: Yucks, Not Yule

Tommy Wirkola's film tries to pass off sadism as comedy.

By Elisabeth Vincentelli

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IFC Films

'Four Samosas' Review: A Romp Through Little India

This snappy indie comedy by Ravi Kapoor sees a group of Indian American teenagers hatch a harebrained plan to steal a bag of diamonds.

By Beatrice Loayza

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20th Century Studios

'Diary of a Wimpy Kid: Rodrick Rules' Review: Oh, Brother

The beloved children's book series receives another film installment.

By Calum Marsh

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Stephanie Owens/Kino Lorber

'Framing Agnes' Review: Transition, Center Stage

The documentarian Chase Joynt stages re-enactments of midcentury medical interviews with transgender people.

By Teo Bugbee

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Marcos Cruz/20th Century Studios

'Darby and the Dead' Review: Sixteen With a Sixth Sense

A high school junior talks to dead people in this familiar but good-natured tale of adolescent female friendship.

By Natalia Winkelman

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TaleBox/Netflix

'Farha' Review: A Most Brutal Coming-of-Age Story

Set in the early days of the Israeli-Palestinian conflict, this drama depicts the upheaval of Palestinian society from a 14-year-old girl's perspective.

By Beatrice Loayza

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