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October 24, 2025 | View in browser

Two men and two women, some holding a glass of beer, watch a scene unfolding in the distance

By Yvonne Villarreal, Robert Lloyd and Maira Garcia

Welcome to Screen Gab, the newsletter for everyone who wore out their remote's fast-forward button while watching the Season 9 finale of "Love Is Blind."

In the wake of the news that Lauren Speed-Hamilton and Cameron Hamilton, the inaugural couple to get engaged on "Love is Blind," welcomed their first child earlier this month (raising the already high bar their rom-com coded relationship had set), the latest season of Netflix's addictive and maddening social experiment concluded with a dramatic first in the reality franchise's history. And while the "Sparkle Megan" nickname reveal early in the season still feels like the biggest shock to our system, the outcomes of this season's weddings will hopefully make next week's reunion special interesting to watch. But maybe our "Love Is Blind" correspondent Kaitlyn Huamani was onto something when she chose to add some intrigue to her binge of the show. She leaned into the mystery the singles experience in the pods by obscuring her screen and strictly listening to the participants during that critical phase of the experiment to test her assessment of the matches.

But don't fret, lovers of love. "Nobody Wants This" is back for its second season to help maintain Adam Brody's grip on GIF-able kisses. For the uninitiated, the L.A.-set series revolves around the will-they/won't-they relationship between Joanne (Kristen Bell), a woman who often regales about her single life on a podcast, who falls in love with Noah (Brody), a progressive rabbi. But can their relationship make it past hurdles that include their careers, family and religion? The new season takes us on their ongoing journey to figure that out. But there's another complicated relationship coming into focus too. Joanne's sister and podcast co-host, Morgan (Justine Lupe), has a boundary-pushing friendship with Noah's married brother, Sasha (Timothy Simons), that continues to cause tension with his longtime wife, Esther (Jackie Tohn) — and unlocks some other issues about their union in process. Simons stopped by Guest Spot to discuss his character's approach to marriage and platonic friendships.

Also in this week's Screen Gab, our recommendations are a light comedy caper that's a spinoff of the long-running British crime series "Death in Paradise," and a documentary that gives an intimate look at the life and career of award-winning Deaf actor Marlee Matlin.

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Recommendations from the film and TV experts at The Times

"Beyond Paradise" (BritBox)

The third season of this spinoff from the island-set "Death in Paradise" has arrived. Following tall, awkward detective inspector Humphrey Goodman (Kris Marshall), transplanted from the Caribbean back to a small seaside town in Devon, England, trading blue skies for gray, it's the coziest of cozy mysteries. Comedy and romance thread their way among its apparently impossible murders, always solved with a sudden inspiration in the final minutes of an episode. Sally Bretton plays Martha, Humphrey's possibly permanent fiancee, who has moved her cafe to larger quarters; they're still hoping to foster a child. Meanwhile, Martha's previous fiance, Archie (Jamie Bamber), a well-heeled wine merchant, has crept back into the story, projecting a vibe of "I'm not your rival, rival" toward Humphrey. (I don't trust him.) At the police station, in an old church, we find Zahra Ahmadi as Sgt. Esther Williams (not awkward), Dylan Llewellyn as PC Kelby Hartford (a puppy dog), and the great Felicity Montagu (known for playing Alan Partridge's long-suffering assistant Lynne) as office manager Margo, uninhibited. Watch with a cup of something warm, with a shot of something stronger. — Robert Lloyd

"Marlee Matlin: Not Alone Anymore" (PBS.org)

She didn't set out to be a groundbreaker or an activist, but Matlin became both. This intimate documentary directed by Shoshannah Stern (who is Deaf like Matlin) that premiered at Sundance earlier this year provides a showcase for a talented woman whose star rose quickly, thanks to a breakout performance in 1986's "Children of a Lesser God." The role won her an Oscar, making her the youngest person to receive the actress award at 21 — a distinction she still holds — and the first Deaf performer to win an Academy Award. (Her "CODA" co-star Troy Kotsur would become the second, 35 years later.) The film examines her upbringing in a hearing family; how a meeting with Henry Winkler led to a lifelong friendship and a path to Hollywood; and how she became a spokesperson and activist for the Deaf community after her Oscar win. (Matlin lobbied Congress for closed captioning on televisions; the first time she watched "The Wizard of Oz" with captions, she says, was a "revelation.") While she garnered success, she struggled to get more acting roles despite her Oscar win, but more came over time, including parts in "Picket Fences," "Seinfeld" and, later, "The West Wing." The film also details her battle with addiction and leaving an abusive relationship with actor William Hurt, her "Children" co-star. However, what makes the film unique is how it places its Deaf subject first, largely using sign language and captions to communicate to viewers. It's an inclusive look at one of America's most inspiring actors. — Maira Garcia

Guest spot

A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching

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Can men and women be just friends? It's a question that has long been dissected, debated and downplayed by couples and friends — and in plenty of movies and TV shows. "Nobody Wants This," the Netflix romantic comedy, offers its own complex and controversial portrayal of such a dynamic. While the show swirls around the hurdles in the love journey of its main characters — Joanne (Bell) and Noah (Brody) — the relationship triangle that's been brewing between its supporting players comes more sharply into focus in Season 2, now streaming. As Sasha, Noah's brother who is played by Timothy Simons, tries to place better boundaries with Joanne's sister, Morgan (Lupe), their friendship places a strain on his marriage to wife Esther (Tohn), leading to more hard truths. Simons stopped by Guest Spot to discuss what interests him about exploring a lived-in marriage at a breaking point, his go-to L.A. spots for a perfect day and the unconventional movie picks on his comfort-watch roster. — Yvonne Villarreal

The season dives into the tough decisions or sacrifices people make when being part of a relationship, and the potential long-term resentments or buried feelings that may resurface later. In this challenging time in Sasha and Esther's marriage, we get more insight into what those issues are for them. What intrigues you about exploring the rough patches of a lived-in relationship?

I think there's something interesting about examining those challenges for both actor and audience because it reflects broadly what a lot of people go through as they age in a relationship. People grow and change and can learn to grow and change together, and it's hard to ask a question like, "Would I choose this person or this life if I met them now," because what if the answer is no? That's a rough one to face. Falling in love is somewhat easy, but staying in love is hard. Specific answers to Esther and Sasha aside, I think it's interesting for an audience to grapple with that question, cause they've probably asked some form of it in their real lives.

The bond between Sasha and Morgan has been controversial from the start, with viewers wondering if it was going to evolve into an affair or remain a questionable approach to a platonic relationship. What do you think is going on there and what has it revealed to you about Sasha and what he's seeking or lacking at this stage in his life? Are there things Sasha and Morgan do or discuss that would be a hard no for you as a married person?

I think that there is a kinship with Morgan and Sasha that, despite very different upbringings, is based on a similar worldview and station in their respective families. I think they get each other in a lot of ways despite not fitting in with most of the world. They are misfits and I think they connect in that. As long as the communication is good and boundaries aren't crossed, finding someone to discuss issues or seek advice from, I don't think is a betrayal.

The show is set in L.A. What are three go-to spots you'd recommend to an out-of-towner for the perfect day in L.A.?

Oh man. A lot of ways to go here, but taking a hike in Elysian Park and then going to Jitlada and Jumbo's Clown Room would be a fun day for everyone. I think with those three you get a wonderful cross-section about what makes the city so rad to live in day-to-day.

You appeared in the final season of "The Handmaid's Tale" as loathsome Commander Bell. When I spoke with the showrunners, they said when they conceived that character, they used your "Veep" character, the incompetent and insufferable Jonah Ryan, as a model. What's it like to be synonymous with a character like Jonah and to see how his name gets invoked in discussions of both fictional and real life matters of governance?

Hopefully I can convince people that I'm not as big of a scumbag in real life as those characters, and I love that I got to be a part of something that people hold as fondly in their hearts as I do. That was an incredible experience and a wonderful ensemble of writers, actors and crew all working together. It's wild, though, to live in a world where Jonah Ryan seems somewhat aspirational.

What have you watched recently that you are recommending to everyone you know?

It's horror movie season, so I've been recommending everyone watch "Pieces"(1982) [AMC+], which is my favorite slasher. A truly wild film with the best ending to any horror movie I've ever seen (and that includes "Sleepaway Camp" [Peacock, Prime Video, Tubi]). Also, no surprise here that I'm quite high on "One Battle After Another," which I've seen three times and will go back for a fourth cause I haven't been able to see it in VistaVision yet.

What's your go-to "comfort watch," the movie or TV show you go back to again and again?

Comfort films are an odd thing for me because I find myself rewatching movies like "Sicario" [Peacock] and "Zero Dark Thirty" [Paramount+], which you can't argue are comforting in their subject matter. But they are so perfectly constructed, shot and performed that it's comforting to watch them.