Plus, the latest on the actors' and writers' strikes.
Of "Barbie," Dargis wrote that Gerwig "does much within the material's inherently commercial parameters, though it isn't until the finale — capped by a sharply funny, philosophically expansive last line — that you see the 'Barbie' that could have been." |
On the other hand — the one hovering over the big red button — "Oppenheimer," Dargis wrote, is a "staggering" film that "condenses a titanic shift in consciousness into three haunted hours." |
"It was a hard thing to prep for in a way because you can't go shadow him." "I wanted it to be a strong interpretation, a very personal interpretation." |
The answers may surprise you. Enjoy the movies. |
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